Showing posts with label Comedies. Show all posts
Showing posts with label Comedies. Show all posts

Tuesday, May 10, 2011

"I'd like to see Paris before I die. Philadelphia will do."

The Devil's own: Mae West and W.C. Fields in My Little Chickadee
(Image: Universal Pictures and Hudson Square Bid) 


I have long intended to make a better acquaintance of the right honorable Mr. William Claude Dukenfield, better known as W.C. Fields.  As a kid, I repeatedly watched a cheap VHS tape of three of his shorts; ever since, I've tried to shoehorn into conversation whenever possible a line from The Golf Specialist, "Bringing a pie to a golf course!  It's like bringing... something or other... somewhere... or other."  (This is not easy to do, I would point out.)  And of course I couldn't help being exposed to the Fields clips and quotes that litter 20th century popular culture.  All of which was more than enough to let me know that he was my kind of guy, at least as a comic persona on the screen and not as someone I actually had to put up with in real life.


Film Forum's recent Fields series confirmed this - although none of the three movies I squeezed in were terrific in their own right, whenever he ambled onto the screen, he zapped them to life like a comedy defibrillator.  He was one of those personalities who was scarcely containable by the constricted structure of his industry - he comes across like an emissary from another world, stopping in to let us know that there are stranger things in Heaven and Earth than are dreamt of in the Production Code Administration's philosophy, while at the same time he's always relatable as a human being.  

Thursday, May 5, 2011

Mad Dogs and Chinamen

Chow Yun-fat and hosts (Image: Emperor Motion Pictures and Kong-Cast)


I always feel guilty about not attending much of the Tribeca Film Festival, and I always vow that next year it will be different - but there's so much stuff!  I just get overwhelmed and kind of give up, seeing only one or two movies.  The must-see this year that cut through my option-induced paralysis was Let the Bullets Fly, which recently broke the record for China's highest-grossing domestic film ever, and, more to the point, was reputed to be very good and, perhaps even more to the point, marks the now-sadly-rare occasion of a major vehicle for Hong Kong supernova Chow Yun-fat, still quite possibly the coolest man alive.